Perth Festival

17th - 26th May 2018
Box Office: 01738 621 031


Royal Northern Sinfonia & Miloš Karadaglic

Box Office 01738 621031

Saturday 31st May 2014

Perth Concert Hall, 19:30

This event was part of the 2014 Festival Programme.

Finish time 21.25
Directed by Bradley Creswick

Prokofiev – Classical Symphony
Barber – Adagio
Milos – solo pieces
Mozart – Symphony No. 38 ‘The Prague’
Rodrigo – Concerto Aranjuez

One of the hottest properties in classical music, Miloš Karadaglić came to international attention in 2011 with his debut album The Guitar (Mediterráneo) which, in the space of just a few months, topped classical charts around the world, became an internationally best selling sensation and earned Miloš Gramophone’s prestigious Young Artist of the Year Award.
As an exclusive Deutsche Grammophon recording artist, Miloš Karadaglić released his second album Latino (Pasión) in 2012 and went on to receive both Classic Brit (UK) and Echo Klassik (Germany) awards. Reviewing the album Gramophone commented “Karadaglić is a guitarist of superior musical and technical gifts who allows his personality to sing through the music with taste and intelligence” and The Daily Telegraph added “this new Latin American programme is outstanding in its finesse, warm sensuality and sheer beauty.”

Royal Northern Sinfonia, Orchestra of Sage Gateshead, the UK’s only full-time chamber orchestra, has built a distinctive reputation as a fresh-thinking and versatile orchestra. Royal Northern Sinfonia was founded in 1958 by the BBC musicologist and producer Michael Hall. The Queen bestowed the title of ‘Royal’ on Northern Sinfonia in 2013 recognising it internationally as one of the UK’s finest orchestras – the first time any UK orchestra has been so honoured for over twenty years.
Under its longest serving Music Director, Thomas Zehetmair, Royal Northern Sinfonia has taken a dedicated approach to stylistic excellence in all genres and has developed an extensive and ambitious repertoire. Core classical music remains at the heart of the programme whilst precision, excellence and deep musical understanding are equally applied to its chamber, contemporary, light music and cross-genre performances. All performances are underpinned by Zehetmair’s maxim; to perform “as if the ink was still wet on the page.”


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